Research Article

Socially Engaged Art, Post-Truth and the Monumentalising of Democracy

Martin Lang, Tom Grimwood

2023

Resiliency in the Cultural Sector
Journal of Cultural Management and Cultural Policy 2024 Socially Engaged Art in a New World Order
Journal of Cultural Management and Cultural Policy

P. 59-76

DOI: 10.14361

Language: English

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Abstract

In 2021, for the first time, all the nominees for the Turner Prize were socially engaged art (SEA) collectives. The groups all ’democratised’ their practices by relinquishing their authorial control to non-artists. Framed by the prestige of the Turner Prize, this relinquishing of control, through collaborative actions with various communities, was lauded as ethically meritorious, because of its egalitarian and non-hierarchical nature. We argue that behind the growing institutional success of SEA lies a tension between its ’goodness’ as a necessity based on a model of authentic practice, and the context of ’post-truth’ that informs its rejection of ’artistic expertise’ in favour of egalitarian processes. However, we contend that it is not the processes themselves, but the monumentalising of democracy and equality that brings SEA into the domain of post-truth. We conclude that SEA must retain a dialectical tension between equality and the production of truth as a cultural value: a dialectic which involves the careful reinstatement of artistic authorship and a sincerer vision of its political ambitions and signification.

Keywords

2024 (2)
Resiliency in the Cultural Sector

2023 (1)
Socially Engaged Art in a New World Order

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