Research Article
The System of Performing Arts in Transformation
An investigation of Germany's audience from a historical perspective
Abstract
On the part of cultural policy and -pedagogics, there exists deficits for some time, especially in the performing arts at the level of high culture, which apparently only (still) appeal to a very limited audience. With programmatic procedures such as audience development and concept-based cultural policy, there are innovative solutions for a broader audience appeal, which often conceal normative socio-political interests. For this reason, this paper attempts to contextualize the construct of audience used in the current debate and to reconstruct its genesis in order to cultural-political functions that can still be found today, as well as to the continuing techniques of discipline and conditioning.
Keywords
2019 (2)
Theatre – Politics – Management
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Keywords
- aesthetics
- higher education
- cultural diplomacy
- career, professional role
- audience studies
- Business
- digitalization, digitization
- diversity
- empirical aesthetics
- entrepreneurship
- development, transformation
- ethics
- Evaluation
- festival
- film
- social change
- ideology
- staging
- communication
- Concert
- creativity
- culture
- arts organizations, cultural organizations
- fincancing the arts
- cultural history
- cultural economy
- art education
- cultural policy
- cultural sociology
- audience development, art education
- arts administration, arts management
- cultural industry
- cultural sciences
- art
- arts research
- curating
- artists
- leadership
- management
- marketing
- market
- media
- methods development
- museum
- music
- opera
- orchestra
- organization
- law
- social cohesion
- community arts
- state
- urbanism
- dance
- theater
- theory development
- tourism
- civil society, third sector