Research Article
		          										        							          												  			“Share, take part, give part, have part, become part, be part!”										  		
							        													          			
						    							          												  			
Impositions of a Cultural Policy Objective in Switzerland										  		
									          		
		          	Abstract
From a federal policy perspective, this essay traces the rise of the cultural policy objective of ‘cultural participation’ over the last ten years in culturally federalised Switzerland. It is not only about cultural participation in current artistic creation and in cultural institutions, but also about participation in tangible and intangible cultural heritage. In retrospect, the call for as many people as possible to participate in cultural life appears to be both a necessary and unavoidable reaction of cultural policy, creative artists, cultural institutions and cultural organisations to the tectonic shifts in society and culture. For some time now, cultural policy and cultural funding can no longer be based on an understanding of what ‘culture’ is that is shared by society as a whole. Cultural promotion must also open up not only to dialogue with other policy and funding areas, but also to joint funding measures. Negotiation processes and resistance line the path into this new cultural policy territory. The essay thus draws an interim balance of an effective cultural policy objective, records important milestones and discussion points in its establishment and, last but not least, makes a contribution to the—at least in Switzerland— neglected historiography of cultural policy.
Keywords
								2024 (2)          									
Resiliency in the Cultural Sector					
          		
	
          			
											
												 
	
											
																	
												
					
				
		 		
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© 2025, Journal of Cultural Management and Cultural Policy
Keywords
- Aesthetics
- Higher Education
- Cultural Diplomacy and Foreign Cultural Policy
- Occupation
- Career and Professional Role
- Audience Development
- Audience Studies and Visitor Studies
- Visitor Motivations
- Business
- Covid Pandemic
- Democracy
- Digitalization
- Diversity
- Third Sector
- Empirical Aesthetics
- Development
- Ethics
- Evaluation
- Field Theory
- Festival
- Film
- Federalism
- Community Arts
- Societal Change
- Ideology
- Staging
- Career
- Communication
- Concert
- Creative Industries
- Creativity
- Crisis
- Culture
- arts organizations, cultural organizations
- Cultural Participation
- Cultural Change
- Fincancing The Arts
- Cultural Promotion Law
- Cultural History
- Cultural Management
- Cultural Economy
- Cultural Organizations
- Art Education
- Cultural Policy
- Cultural Production
- Cultural Sociology
- Art Education
- Cultural Understanding
- Arts Administration
- Cultural Industry
- Cultural Sciences
- Art
- Art Field
- Arts Research
- Artists
- Artistic Research
- Artistic Reputation
- Arts Management
- Arts Organizations
- Art education
- Arts Marketing
- Arts Administration
- Curating
- Leadership
- Literature
- Advocacy
- Management
- Marketing
- Market
- Media
- Methods Development
- Mexico
- Monumentalizing
- Museum
- Music
- Non-Visitor Studies
- Opera
- Orchestra
- Organization
- Political Expression
- Post-truth Politics
- Professional Role
- Audience
- Audience Development
- Law
- Government
- Role
- Socially Engaged Art
- Social Cohesion
- Social Change
- Social Cohesion
- Non-visitor Socio-demographics
- Socioculture
- State
- Symbolic capital
- Dance
- Participatory Justice
- Theatre
- Theatre Governance
- Theory Development
- Tourism
- Transformation
- Survey
- Entrepreneurship
- Urbanism
- Civil Society