Essay
Retooling for the Revolution: Framing the Future of Museum Management After COVID-19
Abstract
In March 2020, COVID-19 descended on American museums, exposing financial and operational fragility. It also exposed the limitations, harms and inequities of standard practices in museum management. The result was a widespread deaccessioning of staff, gutting departments that directly serve audiences and disproportionately impacting workers of color – a regressive step in a field moving toward decolonized and audience-centered practice. Despite the retrenchment, signs also indicate a revolution in progress. Key thinkers have argued that museums are making a long-term paradigm shift, from “being about something to being for somebody” (WEIL 1999). Responses to COVID-19 suggest that this shift has yet to penetrate the ‘deep structures’ of museum management. This article recognizes a museum “paradigm crisis” in which old and emerging systems coexist and conflict. Arguing that museums have neglected human-entered management strategies, it puts forward Bolman and Deal’s ‘Four Frames’ concept to build the managerial toolkit. Finally, it identifies priorities needed in an emerging paradigm: racial and cultural equity and diversity, compensation and wage equity, smarter work practices, and community care.
Keywords
2020 (2)
Museum - Politics - Management
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Keywords
- Aesthetics
- Higher Education
- Cultural Diplomacy and Foreign Cultural Policy
- Occupation
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- Audience Development
- Audience Studies and Visitor Studies
- Visitor Motivations
- Business
- Covid Pandemic
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- Empirical Aesthetics
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- Film
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- Concert
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- Crisis
- Culture
- arts organizations, cultural organizations
- Cultural Participation
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- Fincancing The Arts
- Cultural Promotion Law
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- Audience
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- Social Cohesion
- Social Change
- Social Cohesion
- Non-visitor Socio-demographics
- Socioculture
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