Research Article
Money Talks
Über die Nichtneutralität von Geld in der Kulturfinanzierung
Abstract
As freedom of art should not be questioned, cultural financing is required to not interfere with artistic content. Thus, public funders, sponsors and donors claim objectivity, denying any influence. Unconsciously this is never the case: financing is multidirectional communication. Being its medium, money functions as a semantic system transporting meaning. Therefore, it always interacts with cultural and artistic production. Using a 3-sector model of society, this article investigates the transfer of meaning from the spheres of market, state and civil society into art, mediated through money.
Keywords
2015 (2)
Art, Economics, Policy
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Keywords
- Aesthetics
- Higher Education
- Cultural Diplomacy and Foreign Cultural Policy
- Occupation
- Career and Professional Role
- Audience Development
- Audience Studies and Visitor Studies
- Visitor Motivations
- Business
- Covid Pandemic
- Democracy
- Digitalization
- Diversity
- Third Sector
- Empirical Aesthetics
- Development
- Ethics
- Evaluation
- Field Theory
- Festival
- Film
- Federalism
- Community Arts
- Societal Change
- Ideology
- Staging
- Career
- Communication
- Concert
- Creative Industries
- Creativity
- Crisis
- Culture
- arts organizations, cultural organizations
- Cultural Participation
- Cultural Change
- Fincancing The Arts
- Cultural Promotion Law
- Cultural History
- Cultural Management
- Cultural Economy
- Cultural Organizations
- Art Education
- Cultural Policy
- Cultural Production
- Cultural Sociology
- Art Education
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- Cultural Industry
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- Professional Role
- Audience
- Audience Development
- Law
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- Role
- Socially Engaged Art
- Social Cohesion
- Social Change
- Social Cohesion
- Non-visitor Socio-demographics
- Socioculture
- State
- Symbolic capital
- Dance
- Participatory Justice
- Theatre
- Theatre Governance
- Theory Development
- Tourism
- Transformation
- Survey
- Entrepreneurship
- Urbanism
- Civil Society