Introducing Urban Music Studies and Its Network

Abstract

The first idea of initiating Urban Music Studies as a new field of social and cultural studies research dates to the year 2010 when Volker Kirchberg, Alenka Barber-Kersovan and Robin Kuchar, members of the Institute of Sociology and Cultural Organisation at Leuphana University of Lüneburg, organized a conference entitled Music City Hamburg (https://www.transcript-verlag.de/978-3-8376-1965-2/music-city/). This conference was inspired by theoretical works on creative industries and creative cities by authors such as Richard Florida and Charles Landry on one side and the controversial political dispute in Hamburg about a new and prestigious concert hall. At that time, the dispute erupted in connection with a largescale construction project in the port of Hamburg, which, among other things, included the conversion of an old warehouse into the Elbe Philharmonic Hall as the designated landmark of the city.