Research Article
The EU’s Dualistic Regime of Cultural Diversity Management
The Concept of Culture in the Creative Europe Program (2014–2019; 2021–2027) and in the Strategy for International Cultural Relations (2016–)
Abstract
The link between international cultural management and policy scholarship remains underdeveloped. This article addresses this gap. Based on a triangulation of textual analysis and interviews, it examines how culture is understood in Creative Europe (2014–2019; 2021–2027) and in the Strategy for International Cultural Relations (2016–). Firstly, it provides an overview of debates around the deployment of culture by the Union. Secondly, it examines changes in the term culture in the aforementioned programs. The analysis reveals that the EU’s recognition of the importance of culture within and beyond its borders is not accompanied by a univocal understanding of the term – leading to a dualistic regime of diversity management. Thirdly, it reflects on the challenges that are likely to emerge if – as is planned – Creative Europe funding is used to implement the International Cultural Relations strategy, and stresses the limits of ambiguity in the international management of cultural diversity.
Keywords
2021 (1)
Digital Arts and Culture: Transformation or Transgression?
Related Articles
Analysis of the Market Environment in the Fields of Music Agencies
Yearbook for Culture Management 2013
Research Article
Dispositive der Kulturfinanzierung
Journal of Cultural Management 2015 (1)
Research Article
Postaffirmatives Kulturmanagement
Überlegungen zur Neukartierung kulturmanagerialer BegriffspolitikYearbook for Culture Management
Essay
Evaluation im kulturpolitischen Wirkungsbereich
Grundprobleme und HerausforderungenJournal of Cultural Management 2017 (1)
Research Article
Yearbook for Culture Management 2013
Essay
Kulturmanagement - eine ethisch-politische Herausforderung
Yearbook for Culture Management 2011
Essay
© 2024, Journal of Cultural Management and Cultural Policy
Keywords
- Aesthetics
- Higher Education
- Cultural Diplomacy and Foreign Cultural Policy
- Occupation
- Career and Professional Role
- Audience Development
- Audience Studies and Visitor Studies
- Visitor Motivations
- Business
- Covid Pandemic
- Democracy
- Digitalization
- Diversity
- Third Sector
- Empirical Aesthetics
- Development
- Ethics
- Evaluation
- Field Theory
- Festival
- Film
- Federalism
- Community Arts
- Societal Change
- Ideology
- Staging
- Career
- Communication
- Concert
- Creative Industries
- Creativity
- Crisis
- Culture
- arts organizations, cultural organizations
- Cultural Participation
- Cultural Change
- Fincancing The Arts
- Cultural Promotion Law
- Cultural History
- Cultural Management
- Cultural Economy
- Cultural Organizations
- Art Education
- Cultural Policy
- Cultural Production
- Cultural Sociology
- Art Education
- Cultural Understanding
- Arts Administration
- Cultural Industry
- Cultural Sciences
- Art
- Art Field
- Arts Research
- Artists
- Artistic Research
- Artistic Reputation
- Arts Management
- Arts Organizations
- Art education
- Arts Marketing
- Arts Administration
- Curating
- Leadership
- Literature
- Advocacy
- Management
- Marketing
- Market
- Media
- Methods Development
- Mexico
- Monumentalizing
- Museum
- Music
- Non-Visitor Studies
- Opera
- Orchestra
- Organization
- Political Expression
- Post-truth Politics
- Professional Role
- Audience
- Audience Development
- Law
- Government
- Role
- Socially Engaged Art
- Social Cohesion
- Social Change
- Social Cohesion
- Non-visitor Socio-demographics
- Socioculture
- State
- Symbolic capital
- Dance
- Participatory Justice
- Theatre
- Theatre Governance
- Theory Development
- Tourism
- Transformation
- Survey
- Entrepreneurship
- Urbanism
- Civil Society