Research Article

Democratization of Culture or Cultural Democracy? Theater in Germany and England

Abstract

In Germany, as in England, only a minority of the population, predominantly the higher educated, attends state-subsidized theaters. For theaters, attracting audiences from hitherto underrepresented groups of the population is not just a matter of increasing attendance in the short term, but also of securing their legitimacy in the longer term. For cultural policy, the challenge is to guarantee a higher degree of participatory justice. The article discusses the perspectives of a participation-oriented audience development against the background of the national regimes of theater governance in Germany and England, which are characterized by different models and legitimation patterns of theater funding.

Keywords

2024 (1)
Critical Issues on Arts Engagement versus the Non-Visitor

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