Introduction
Zukunft Publikum
Das aktuelle Jahrbuch für Kulturmanagement nimmt die Zukunft des Publikums in den Blick. Vorgestellt und diskutiert werden neue Beteiligungsformen und interaktive Kulturwahrnehmungen: Wie sehen die Kulturangebote der Zukunft aus? Wer sind die Besucher von morgen, wer die Kulturschaffenden? Wie äußern sich Überschneidungen zwischen Kulturnutzung, Kulturproduktion und Kulturgestaltung?
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Yearbook for Culture Management 2012
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Yearbook for Culture Management 2012
http://dx.doi.org/10.14361/transcript.9783839422854.15
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Yearbook for Culture Management 2012
http://dx.doi.org/10.14361/transcript.9783839422854.29
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Yearbook for Culture Management 2012
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Yearbook for Culture Management 2012
http://dx.doi.org/10.14361/transcript.9783839422854.75
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Yearbook for Culture Management 2012
http://dx.doi.org/10.14361/transcript.9783839422854.107
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Yearbook for Culture Management 2012
http://dx.doi.org/10.14361/transcript.9783839422854.139
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Yearbook for Culture Management 2012
http://dx.doi.org/10.14361/transcript.9783839422854.153
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Yearbook for Culture Management 2012
http://dx.doi.org/10.14361/transcript.9783839422854.171
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http://dx.doi.org/10.14361/transcript.9783839422854.199
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Yearbook for Culture Management 2012
http://dx.doi.org/10.14361/transcript.9783839422854.229
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Yearbook for Culture Management 2012
http://dx.doi.org/10.14361/transcript.9783839422854.265
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http://dx.doi.org/10.14361/transcript.9783839422854.295
Research Article
Yearbook for Culture Management 2012
http://dx.doi.org/10.14361/transcript.9783839422854.309
Conference Review
Yearbook for Culture Management 2012
http://dx.doi.org/10.14361/transcript.9783839422854.343
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Yearbook for Culture Management 2012
http://dx.doi.org/10.14361/transcript.9783839422854.349
Case Study
Yearbook for Culture Management 2012
http://dx.doi.org/10.14361/transcript.9783839422854.357
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Yearbook for Culture Management 2012
http://dx.doi.org/10.14361/transcript.9783839422854.361
© 2024, Journal of Cultural Management and Cultural Policy
Keywords
- Aesthetics
- Higher Education
- Cultural Diplomacy and Foreign Cultural Policy
- Occupation
- Career and Professional Role
- Audience Development
- Audience Studies and Visitor Studies
- Visitor Motivations
- Business
- Covid Pandemic
- Democracy
- Digitalization
- Diversity
- Third Sector
- Empirical Aesthetics
- Development
- Ethics
- Evaluation
- Field Theory
- Festival
- Film
- Federalism
- Community Arts
- Societal Change
- Ideology
- Staging
- Career
- Communication
- Concert
- Creative Industries
- Creativity
- Crisis
- Culture
- arts organizations, cultural organizations
- Cultural Participation
- Cultural Change
- Fincancing The Arts
- Cultural Promotion Law
- Cultural History
- Cultural Management
- Cultural Economy
- Cultural Organizations
- Art Education
- Cultural Policy
- Cultural Production
- Cultural Sociology
- Art Education
- Cultural Understanding
- Arts Administration
- Cultural Industry
- Cultural Sciences
- Art
- Art Field
- Arts Research
- Artists
- Artistic Research
- Artistic Reputation
- Arts Management
- Arts Organizations
- Art education
- Arts Marketing
- Arts Administration
- Curating
- Leadership
- Literature
- Advocacy
- Management
- Marketing
- Market
- Media
- Methods Development
- Mexico
- Monumentalizing
- Museum
- Music
- Non-Visitor Studies
- Opera
- Orchestra
- Organization
- Political Expression
- Post-truth Politics
- Professional Role
- Audience
- Audience Development
- Law
- Government
- Role
- Socially Engaged Art
- Social Cohesion
- Social Change
- Social Cohesion
- Non-visitor Socio-demographics
- Socioculture
- State
- Symbolic capital
- Dance
- Participatory Justice
- Theatre
- Theatre Governance
- Theory Development
- Tourism
- Transformation
- Survey
- Entrepreneurship
- Urbanism
- Civil Society